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Studio notes, an opening.


There’s a moment each morning when the studio is very quiet. Before emails. Before decisions. Before I convince myself something needs fixing.

That’s usually when the real work begins.

I’ve decided to start writing here — not to explain paintings (they’re quite capable of speaking for themselves), but to share the thinking that surrounds them. The slower observations. The small shifts. The moments where a painting resists me and wins.

Most work doesn’t unfold dramatically. It edges forward. A colour is adjusted. An area is softened. Something is removed rather than added. Occasionally I stand back and realise the painting has been quietly steering the conversation all along.

This will be a space for those in-between moments.

You’ll see works that aren’t finished. Decisions that change direction. Ideas that return months later in a different form. The studio is less about inspiration and more about attention — noticing when something feels resolved, and when it doesn’t.

Over time, I suspect patterns will reveal themselves.

For now, this is simply an opening.

The door is slightly ajar.



 
 

Join studio notes

Occasional reflections, quiet observations, and glimpses behind the canvas.


The studio isn’t always tidy, and neither are the thoughts — but sometimes they’re worth keeping.

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Acknowledgement of Country
I acknowledge the Traditional Custodians of Country throughout Australia and their continuing connection to land, sea and community.  I live, work and play on Widjabul Wia-Bal Land in the Bundjalung Nation in northern NSW. I pay my respect to the peoples and their cultures, to the Elders past and present.

 

©2020 by Sigrid Patterson.

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